Women tend to be too impressed by the men on screen and too hell-bent to get themselves on screen.
In one of Philip Roth’s lesser novels, The Dying Animal, the narrator is a 62-year-old college professor who seduces one of his undergraduate students every semester and then discards her for a new one the following semester. How does the old dog do it? He moonlights on the local PBS channel as an arts expert for a few minutes per week. This might not seem like much fame, but for a 19-year-old coed, Roth’s narrator explains, “They are helplessly drawn to celebrity, however inconsiderable mine may be.”
