Steve Sailer writes (Read the whole thing…):
The Academy had better hope that some other Oscar candidates emerge in the fall to divert attention away from what so far looks like a battle for Best Picture between the superb white rock movie and the not-bad black rap movie.
Granted, comparing Straight Outta Compton to Love & Mercy
on aesthetics is like contrasting “F*** tha Police” and “No Vaseline” to “God Only Knows” and “Wouldn’t It Be Nice.” But the hip-hop film, directed by veteran black hired gun F. Gary Gray (who also helmed Ice Cube’s Friday and Mark Wahlberg’s The Italian Job), is competent enough to trigger feelings of entitlement. As last year’s black complaints about Selma being handed one only Oscar suggested, when the Academy gave the Best Picture award a couple of years ago to 12 Years a Slave, it didn’t succeed in assuaging black demands for a few years as hoped. Instead, 12 Years’ Oscar seemed to convince racial spokespersons that blacks deserve to win Best Picture every year.
Because black.
