• About Kathy Shaidle
  • Kathy Shaidle: Donate
  • Kathy Shaidle: Privacy policy

5 Feet of Fury

Kathy Shaidle's blog. Est. 2000

The Cramps: Punkabilly Heroes Are Accidental Rolling Stone Cover Stars

January 17, 2014 By Kathy Shaidle

PKM:

Lorde isn’t the only big-haired artist making her Rolling Stone cover debut on the new issue. That’s because the leering, high-coiffed, emaciated ghoul on her T-shirt belongs to another band: the Cramps.

The group, which used the T-shirt illustration on their cheekily titled 1984 comp Bad Music for Bad People, pioneered its own brand of sinewy, rockabilly-inspired garage punk that was perfect for the dinge of its native New York City when it formed in 1976 (or a little over two whole 17-year-old Lordes ago).

With a smarmy sense of humor and an arsenal of quivering, lascivious guitar lines, the Cramps laid groundwork later exploited by a wide array of artists, from noisy alt-rockers the Jesus and Mary Chain (who covered the Cramps’ “New Kind of Kick”) to metal steamrollers White Zombie (whose bassist joined the Cramps in 2006).

They dabbled in all of the same quirky horror kitsch as the Misfits, but where those punks oozed machismo, the Cramps exuded seedy, sexy camp. Frontman Lux Interior acted like a possessed madman onstage – gyrating, twirling, occasionally destroying drum heads (one of which is on display at the Rock and Roll Hall of Fame) – while his foil and wife, a statuesque, scantily clad, bouffant-coiffed redhead, who went by Poison Ivy Rorschach, wiggled as she coaxed rock-and-roll Armageddon from her guitar.

More from my site

  • ‘Dawkins now just telling random strangers why he hates them’‘Dawkins now just telling random strangers why he hates them’
  • Blogging resumes on Monday morning…Blogging resumes on Monday morning…
  • Anyone whose ever lived with them knows an all-gay high school will have MORE bullying, not lessAnyone whose ever lived with them knows an all-gay high school will have MORE bullying, not less
  • “American Jewish humor, born of the ultimate border-crossing culture, has become the comedy of the global elite”“American Jewish humor, born of the ultimate border-crossing culture, has become the comedy of the global elite”

Filed Under: conservative blog

« Should conspiracy theory research inform public policy?
Salon calls out Ted Nugent’s ‘racist’ MLK Day column — without refuting his points »
  • Facebook
  • LinkedIn
  • RSS
  • Twitter

Archives

Copyright © 2023 · Magazine Pro Theme On Genesis Framework · WordPress · Log in