Conveniently, the new [DSM-5] classification lets television producers off the hook. Any current TV character ascribed with Asperger’s-like symptoms can no longer inspire real-world diagnoses of Asperger’s, and television can no longer be blamed for the real-world overdiagnosis of the condition. Because, as you now know, Asperger’s no longer technically exists.
All you can get now is an ASD diagnosis, and who’d want that? What kind of cache could a three-letter acronym possibly have? None. And I checked the records: As of today, not one single person has reported catching ASD from a television. The fix seems to have worked.
TV is now forced to adapt to this new, Asperger’s-free reality. But this week, with the debut of The Bridge, we met Sonya Cross, who, like those of us veterans who identify as having Asperger’s, is already an anachronism, developed as she was before the term for the condition Kruger has been name-checking in the press was rendered obsolete. So in a way, The Bridge is a kind of period piece, like a movie about female hysteria, but that’s not going to stop me from enjoying it or Kruger’s serious, realistic depiction of Asperger’s.