New York Times columnist Maureen Dowd generally sticks to provocative political matters in her columns but she’s fed up with filmmakers who change major historical facts in their movies then hide behind the “artistic license” excuse as a defense.
New York Times columnist Maureen Dowd generally sticks to provocative political matters in her columns but she’s fed up with filmmakers who change major historical facts in their movies then hide behind the “artistic license” excuse as a defense.
